James Bishop

Untitled . 1974

+ David Zwirner

Throughout his career, Bishop has engaged European and American traditions of post-War abstraction while developing a subtle, poetic, and highly unique visual language of his own. Alternating between—and at times interweaving—painting and drawing, Bishop’s works explore the ambiguities and paradoxes of material opacity and transparency, flatness and spatiality, as well as linear tectonics and loosely composed forms. Privileging the nuanced and expressive qualities of color and scale, Bishop’s luminous works have been described by American poet and art critic John Ashbery as “half architecture, half air.”
David Zwirner

Avant le Jour . 1986

Other Colors .1965

Having . 1970

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