Times . 1979
+ Philadelphia Museum of Art . Christopher Cutts Gallery
Snow’s “photo-centric” work has been key to his investigation of the limits of representation, especially through an exploration of photography and its processes. Poised between two- and three-dimensionality, a number of works in this exhibition engage physically with the gallery space and the viewer, and are representative of his various approaches to the photographic medium and its framing of vision. According to Snow, “To extend the depth of what has been called ‘art’ into photography requires . . . making available to the spectator the amazing transformations the subject undergoes to become the photograph.”
Philadelphia Museum of Art
Paris de jugement Le and/or State of the Arts . 2003
Power of Two . 2003
Authorization . 1969
+ Philadelphia Museum of Art . Christopher Cutts Gallery
Snow’s “photo-centric” work has been key to his investigation of the limits of representation, especially through an exploration of photography and its processes. Poised between two- and three-dimensionality, a number of works in this exhibition engage physically with the gallery space and the viewer, and are representative of his various approaches to the photographic medium and its framing of vision. According to Snow, “To extend the depth of what has been called ‘art’ into photography requires . . . making available to the spectator the amazing transformations the subject undergoes to become the photograph.”
Philadelphia Museum of Art
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