I give you all my money . 2008
+ kunstverein muenchen
Wilkes’ work is characterised by the creation of a slowly emerging, distinctively personal vocabulary of sculptures and paintings which she makes and re-makes in evolving assemblages and environments. Her processes are measured and refined, drawing on the most intimate of personal experiences to create a compelling autobiographical thread, coupled with a precise and liberated formal language. Wilkes confidently and unapologetically selects the most abject and awkward of domestic, everyday objects; a widescreen Sony television, a Maclaren’s push chair or a jar of Bonne Mamam apricot preserve have all been incorporated in Wilkes’ expansive installations.
art tattler
+ kunstverein muenchen
Wilkes’ work is characterised by the creation of a slowly emerging, distinctively personal vocabulary of sculptures and paintings which she makes and re-makes in evolving assemblages and environments. Her processes are measured and refined, drawing on the most intimate of personal experiences to create a compelling autobiographical thread, coupled with a precise and liberated formal language. Wilkes confidently and unapologetically selects the most abject and awkward of domestic, everyday objects; a widescreen Sony television, a Maclaren’s push chair or a jar of Bonne Mamam apricot preserve have all been incorporated in Wilkes’ expansive installations.
art tattler
Cathy Wilkes . Non-Verbal . 2005 |
Cathy Wilkes . Galilee . 2005 |
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