Suspended weapons . 2013
photo: © Andy Keate
photos: © Annalisa Sonzogni . + DRAF
Benoît’s work often involves collage and assemblage, forcing structures, references and materials into paradoxical but productive relationships. The original sources, frequently borrowed from art history, are not crucial; what matters is to make cognitive structures collide and to find a wild and sensual rapport with theory and culture. Besides a discourse on theory as shape, Maire proposes a surprising relationship to freedom (of interpretation, at the very least) and thought as co-production.
DRAF
photo: © Andy Keate
photos: © Annalisa Sonzogni . + DRAF
Benoît’s work often involves collage and assemblage, forcing structures, references and materials into paradoxical but productive relationships. The original sources, frequently borrowed from art history, are not crucial; what matters is to make cognitive structures collide and to find a wild and sensual rapport with theory and culture. Besides a discourse on theory as shape, Maire proposes a surprising relationship to freedom (of interpretation, at the very least) and thought as co-production.
DRAF
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