The Railroad Station . 1977
+ Leslie Tonkonow
Created more than thirty years ago... Sugiura combined her own glossy snapshot-sized photographs of urban architecture, interiors, and suburban landscapes in both color and black & white, with black, white, and gray rectangles of exposed photographic paper, or hand-painted or screen-printed papers in a range of brilliant colors. Assembling diptychs and triptychs which she attached to large sheets of matte rag paper used in fine art lithography or etching, she continued a dialogue on abstraction and representation and the relationship of photography to other mediums that began in the mid-1960s and continues to this day. Leslie Tonkonow
Red, Green, and Yellow . 1981
The Railroad Station, 1977 (detail)
Propellers 2 . 1981 (detail)
+ Leslie Tonkonow
Created more than thirty years ago... Sugiura combined her own glossy snapshot-sized photographs of urban architecture, interiors, and suburban landscapes in both color and black & white, with black, white, and gray rectangles of exposed photographic paper, or hand-painted or screen-printed papers in a range of brilliant colors. Assembling diptychs and triptychs which she attached to large sheets of matte rag paper used in fine art lithography or etching, she continued a dialogue on abstraction and representation and the relationship of photography to other mediums that began in the mid-1960s and continues to this day. Leslie Tonkonow
Red, Green, and Yellow . 1981
The Railroad Station, 1977 (detail)
Propellers 2 . 1981 (detail)
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