Les mains dans les poches, pleines . 2011
+ Gaudel de Stampa
Jonathan Binet, b. 1984, a young graduate of the ENSBA selected for the 56th Salon de Montrouge, operates through action plans outlining and fomenting the scenarios of his incursion into a space. Thus he constructs his work in response to the setting proposed to him, indeed imposed on him. Perceiving it as a restrictive space, he is actually “permanently [looking for] solutions, ways out, opportunities for action”.Jonathan Binet, b. 1984, a young graduate of the ENSBA selected for the 56th Salon de Montrouge, operates through action plans outlining and fomenting the scenarios of his incursion into a space. Thus he constructs his work in response to the setting proposed to him, indeed imposed on him. Perceiving it as a restrictive space, he is actually “permanently [looking for] solutions, ways out, opportunities for action”.
Palais de Tokyo
+ Gaudel de Stampa
Jonathan Binet, b. 1984, a young graduate of the ENSBA selected for the 56th Salon de Montrouge, operates through action plans outlining and fomenting the scenarios of his incursion into a space. Thus he constructs his work in response to the setting proposed to him, indeed imposed on him. Perceiving it as a restrictive space, he is actually “permanently [looking for] solutions, ways out, opportunities for action”.Jonathan Binet, b. 1984, a young graduate of the ENSBA selected for the 56th Salon de Montrouge, operates through action plans outlining and fomenting the scenarios of his incursion into a space. Thus he constructs his work in response to the setting proposed to him, indeed imposed on him. Perceiving it as a restrictive space, he is actually “permanently [looking for] solutions, ways out, opportunities for action”.
Palais de Tokyo
0 comentarios :
Publicar un comentario