Obsoleto #1 . 2013-2014
+ P420
Though she shows photographs, Alessandra Spranzi is not a photographer, but an artist who uses photography. This distinction might seem cavillous, or even obsolete: it dates back to the 1970s and has gradually lost its aptness to describe the evolution of the photographic language. But in Spranzi’s case, and that of this exhibition, in particular, it can be useful. Most of the works in the show, created over the last two years, do not feature original images shot by Spranzi, but recycle images of others taken from practical manuals, science books, classified ads. They are photographs Spranzi has collected over the years, selected and then reutilized in a different way: rephotographing them, cutting, enlarging, printing with techniques that differ from those used to make the original image, or at times using them as the starting materials for a collage. What interests her is to point out a beauty that was already lurking, unseen, in existing images: anonymous photographs, not made by professionals, or in any case made without artistic ends.
P420
Obsoleto #3 . 2013-2014
Obsoleto #8 . 2013-2014
Obsoleto #18 . 2013-2014
Obsoleto #46 . 2013-2014
+ P420
Though she shows photographs, Alessandra Spranzi is not a photographer, but an artist who uses photography. This distinction might seem cavillous, or even obsolete: it dates back to the 1970s and has gradually lost its aptness to describe the evolution of the photographic language. But in Spranzi’s case, and that of this exhibition, in particular, it can be useful. Most of the works in the show, created over the last two years, do not feature original images shot by Spranzi, but recycle images of others taken from practical manuals, science books, classified ads. They are photographs Spranzi has collected over the years, selected and then reutilized in a different way: rephotographing them, cutting, enlarging, printing with techniques that differ from those used to make the original image, or at times using them as the starting materials for a collage. What interests her is to point out a beauty that was already lurking, unseen, in existing images: anonymous photographs, not made by professionals, or in any case made without artistic ends.
P420
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