Estruturas de Caixa de Fósforos . 1964
MoMA . ALISON JACQUES GALLERY . + Exhibition Checklist
Lygia Clark trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s and was a leading abstract artist at the forefront of the Neo-Concretist movement in Brazil, fostering the active participation of spectators through her works.
From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark has become a major reference for contemporary artists dealing with the limits of conventional forms of art.
MoMA
Estruturas de caixas de fósforos azul/verde . 1964
Estruturas de Caixa de Fósforos . 1964
Estruturas de caixas de fósforo . 1964
MoMA . ALISON JACQUES GALLERY . + Exhibition Checklist
Lygia Clark trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s and was a leading abstract artist at the forefront of the Neo-Concretist movement in Brazil, fostering the active participation of spectators through her works.
From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark has become a major reference for contemporary artists dealing with the limits of conventional forms of art.
MoMA
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