Valentin Carron

Belt hanging on the wall . 2014

+ kamel mennour

Valentin Carron interrogates and reassesses art. Between interpretation, jest, and subversion, he makes fluid the reverential glaze. He traces the lines of a temple – of a mental architecture whose dimensions are known to him – to incite profanation. One of these lines is the return of the readymade: while the urinal entered the museum, Carron brings out masterpieces in the common vernacular.
kamel mennour

Tout près presque dedans . 2014

Cavity . 2014

Main bleue bougie blanche . 2014