MUSAC. SIX LANDSCAPES.
Innovation and tradition in contemporary architecture
Innovation and tradition in contemporary architecture
full text at: Mansilla . Tuñón
Let us imagine a set of border conditions (meaning ideas and feelings) on a project. The first observation we must make is that a project has not only a specific physical location, a material landscape: it has also other landscapes, other contexts as important as this. It has a natural territory, but also another that is social, political, cultural or historic. One could also speak, in short, of an intellectual landscape. In some manner, the project magnetizes and mobilizes part of this world toward itself; it demands its presence. In the beginning, however, it appears as an invertebrate set of questions. Let us attempt to tour the MUSAC through these landscapes.
Let us imagine a set of border conditions (meaning ideas and feelings) on a project. The first observation we must make is that a project has not only a specific physical location, a material landscape: it has also other landscapes, other contexts as important as this. It has a natural territory, but also another that is social, political, cultural or historic. One could also speak, in short, of an intellectual landscape. In some manner, the project magnetizes and mobilizes part of this world toward itself; it demands its presence. In the beginning, however, it appears as an invertebrate set of questions. Let us attempt to tour the MUSAC through these landscapes.
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