Straps&Mirror . 2010
+ Galleria Massimo Minini
Monica Bonvicini’s practice combines a meticulous attention to form with an equally pressing examination of the social aspect of architecture and public space, as well as how it can be used to construct sexual identity.Her sculptures, installations, photographs and videos question the neutrality of architecture, artistic creation, and power structures. This is work that seeks out an almost unavoidable dialogue with the public, full of irony, irreverence and ambivalence. Its purity of form, juxtaposed or united with a meaning that is often tongue-in-cheek, conjures up a striking aura of chilly elegance.
Galleria Massimo Minini
Blind Protection #3 . 2009-2013
Black You . 2010
Identify Protection . 2006
+ Galleria Massimo Minini
Monica Bonvicini’s practice combines a meticulous attention to form with an equally pressing examination of the social aspect of architecture and public space, as well as how it can be used to construct sexual identity.Her sculptures, installations, photographs and videos question the neutrality of architecture, artistic creation, and power structures. This is work that seeks out an almost unavoidable dialogue with the public, full of irony, irreverence and ambivalence. Its purity of form, juxtaposed or united with a meaning that is often tongue-in-cheek, conjures up a striking aura of chilly elegance.
Galleria Massimo Minini
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