After . 1998
photos: © Tate Photography . + Tate
In a career spanning more than four decades, Richard Deacon has employed materials ranging from laminated wood and polycarbonate to leather, cloth and clay, examples of which are included in the exhibition. He works on both domestic and large scales, combining organic forms with elements of engineering. His continuously changing methods of construction are a result of developments in his sculptural approach, reflected by his use of sinuous bent wood, contorted steel and highly glazed ceramics.
Tate
Lock . 1990
Restless . 2005
Mammoth . 1989
Blind, Deaf And Dumb A . 1985
photos: © Tate Photography . + Tate
In a career spanning more than four decades, Richard Deacon has employed materials ranging from laminated wood and polycarbonate to leather, cloth and clay, examples of which are included in the exhibition. He works on both domestic and large scales, combining organic forms with elements of engineering. His continuously changing methods of construction are a result of developments in his sculptural approach, reflected by his use of sinuous bent wood, contorted steel and highly glazed ceramics.
Tate
Lock . 1990
Restless . 2005
Mammoth . 1989
Blind, Deaf And Dumb A . 1985
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