ART REVIEW . 2013
photos: © BORIS KIRPOTIN . + Bernier-Eliades Gallery
Edy Fergusons’s (Chicago, USA) practice spans a wide range of materials and media such as video, drawing, collage, sculpture, installation, photography, performance, and painting. The scope of her skills, the freedom to employ a wide array of media, as well as her stance towards performance, make for a body of work that is challenging, creative, all-inclusive and engaging.
Through allusions to “high” and “low” culture – often resorting to icons from the cinema or the world of rock music – Ferguson poses pertinent and poignant questions on the role of emotions in artistic creations, on the freeing power of image and music, and on the coexistence of multiple and contradictory points of view in our experience of reality.
Bernier-Eliades Gallery
INVISIBLE CITIES . 2013
QUEEN BEDS . 2013
GREEK PROTESTOR (EAU DE VIE) . 2009
SOKRATOUS 11 . 2013
photos: © BORIS KIRPOTIN . + Bernier-Eliades Gallery
Edy Fergusons’s (Chicago, USA) practice spans a wide range of materials and media such as video, drawing, collage, sculpture, installation, photography, performance, and painting. The scope of her skills, the freedom to employ a wide array of media, as well as her stance towards performance, make for a body of work that is challenging, creative, all-inclusive and engaging.
Through allusions to “high” and “low” culture – often resorting to icons from the cinema or the world of rock music – Ferguson poses pertinent and poignant questions on the role of emotions in artistic creations, on the freeing power of image and music, and on the coexistence of multiple and contradictory points of view in our experience of reality.
Bernier-Eliades Gallery
INVISIBLE CITIES . 2013
QUEEN BEDS . 2013
GREEK PROTESTOR (EAU DE VIE) . 2009
SOKRATOUS 11 . 2013
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