Gerhard Richter

Strip paintings

+ Marian Goodman

On contemplation, Richter’s ‘Strip’ paintings distill the pictorial investigations of a 60-year career into a body of work that is wholly consistent with, and contingent on, everything that has preceded them. As photography once opened new pathways for him in the 1960s, digital technology has now added to the expansive territories of his work. By refuting established categorization, Richter has again been able to exploit one media to deconstruct the possibilities of another, arriving at unchartered and unprecedented new propositions.
Marian Goodman

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