Julian Schnabel

Untitled . 1990

+ Gagosian

In the late 1980s and early 1990s, Schnabel approached painting as an act as susceptible to chance and circumstance as life itself. Working in the wake of American antecedents such as Robert Rauschenberg and Cy Twombly—who brought a certain sense of freedom to bear on their evident romance with European art and aesthetics—Schnabel made audaciously scaled paintings and sculptures whose richly hybrid sources were expressed in an attitude of baroque excess combined with improvisational daring.

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